Showing posts with label Melodic Hardcore. Show all posts
Showing posts with label Melodic Hardcore. Show all posts

Monday, June 6, 2011

Carry The Torch/Signs Of Hope

Like a ray of light triumphantly blasting through your bedroom window in the morning, Carry The Torch’s erratic and soaring guitar licks accompany a scratchy, powerful roar as you are awoken from some horrible dream with a stark new reality of the world. But don’t worry, CTT is here to help you pull through and with their counterparts in Signs Of Hope you will soon be empowered. Filled with messages of resisting social oppression and fighting personal depression, their new split 7 inch will raise the dragging mind of any listener.
Released on Goodwill Records earlier this year, CTT and SOH bring contrasting sounds to the table. CTT combine the melodic and technical sensibility of bands such as Misery Signals, Shai Hulud, Comeback Kid and Verse into a sporadic barrage of sounds. SOH stay on the simplistic side, while emphasizing the raging and overflowing aggression pumping through their veins, similar to ex-communicated hardcore acts like Blue Monday and veteran road warriors Bane. With two very different sounds originating from the opposite sides of the country; Sacramento, CA and Bridgeport, CN, this split showcases the sounds of two promising young bands.
Each band offers up two prime cuts of their home cooked style of hardcore. On the CTT side of the tracks the song “Color Wash The Devil Gold” propels pass the listener as it heads east. Upon arrival SOH welcomes friendly ears with their standout track “Life Everyday.” Technically speaking “Arches and Angles” spits on “Color Wash” unsympathetically, structurally however the latter track shines. While still being hyper-active and turbulent in nature “Color Wash” is strongly held together through shifting guitars that lead into flowing, anthemic rhythms. Auspicious lyrics such as “I have to learn to finally breathe/I have to learn to fully live” are projected through the harsh beating and pleading sound of their lead vocalist, while the band holds him up in his effort. 
This release is a somewhat departure from their last effort, 2008’s Dead Weather, being speedier and more chaotic, while retaining their core sound. Through this process many of their mid tempo, groove based metalcore elements have been lost, replaced by an updated and faster version. While speed may be more impressive technically, it takes away from the songs as a whole, as these songs don’t seem to live up to their former partners. 
Signs Of Hope bring the listener back with their old school sound and posi filled messages. The beginning of “Life Everyday” sucks the listener in before giving way to a ferocious combination of circle pit based guitar work and rolling drums. Sing alongs are scattered throughout the song and help to enforce the positive messages nakedly exposed and waiting for consumption. “You gotta pick yourself up man and turn it around,” words that carry much meaning in their simplistic formations. To cap off this fuming hardcore speech SOH implies an age old hardcore tactic, the butchering breakdown, guaranteeing that massive amounts of loose change will soon be picked up by all listening. 
Not straying too far from their previous release 2009's, Choices Made, worked in SOH’s favor as they continue to perfect their brand of strengthening melodic hardcore. Although similar to their split mates their featured songs don’t seem to compare to older efforts. Overall the split seems a bit rushed but still a solid effort from both bands.
Rating: 3.2/5

Sunday, May 8, 2011

Halfhearted

“On the inside/On the outside/I’m totally lost” the young band from Portland Oregon, Young Turks, distortedly proclaims in a confused conclusion of “Lost” the second track of their debut EP “Half Hearted.” Young Turks seems to have found the perfect formula for crafting their quasi unique brand of hardcore. Taking one part high energy intensity in the veins of American Nightmare, melodic structures and emotive lyrics via Go It Alone, Defeater and Modern Life Is War and the punishing back breaking power of Cruel Hand. Throw all this into a giant pot full of angst, anger and confusion, season it with highly personal lyrics and you have “Halfhearted”. 
Featuring ex members of Broadway Calls and Hell and Reason, Young Turks keeps the spirit of Portland alive with a enlightening take on a genre that can easily be rehashed as much as the next R&B auto tune radio hit. Mixing the best elements from each section of hardcore, as if picking from an orchestra of heavy music, they manage to harness each aspect to their advantage. For a first release this is quite impressive. While it is nothing groundbreaking they are definitely headed in the right direction. 
Pounding drums give footing to seemingly fluid guitars that go from hardcore circle pit insanity to swirling melodic progression, aiming to pluck at even the coldest of hardcore kids heart. The end of “Control”, the final song on the album hits this mark dead on through a despairing progression. A delayed guitar gives way to a rising palm muted riff that slowly builds up so much tension, that when it’s released it’s as if an emotional dam has been broken and the pain being held back flows through the listeners ears and chills the mind. Follow this up with the spacey and cutting lead that enters as the outro reaches its peak and you have one of the best parts on Halfhearted. 
Be sure to keep an eye out for this band as they have the potential to do some great things. Half Hearted is semi-original and nothing earth shattering but is a small step towards jumping over a very large musical gap. The abyssal chasm that hardcore tends to lead itself into. If Young Turks can fine tune there sound enough to find that perfect mixture of melodic, fast and heavy, then soon they will be climbing their way to the top of that metaphorical hardcore canyon. 
Rating: 3/5

Be on the look out for the tape release of Halfhearted on Heart In Hand Records.